Possibly the best thing about the modern furniture design of today is its beauty and grace. A combination of spare lines and understated elegance makes modern furniture a pleasure to buy and own, for the homeowner and the commercial space alike. For example, take the Aarnio Ball Chair (Eero Aarnio in 1966), an acknowledged modern classic of furniture design. A sliced off globe, hollowed out to give the user a private, almost soundproof space, this chair is a nice way to find an island of peace even in the noisiest of rooms. Other modern classics include such innovations as the Arne Jacobsen Egg Chair (Jacobsen, 1958), and the Aarnio Hanging Bubble Chair (Eero Aarnio, 1968). Stylish and spare, these designs enhance the “look” while not detracting from the “feel”. They add comfort and even privacy, to the middle of a hustle-bustle modern life, increasing the style quotient of the space many times over. One look at any of these amazing designs, by the masters of the field, is enough to bring home the point. Modern furniture design has truly managed to combine the functional with the visually pleasing; the grace with the usefulness; to come up with what can only be called pieces of usable art.
Possibly the best thing about modern furniture design is the combination it has created, of function and grace, and the simplicity of pleasing visual art that it has achieved. Unlike earlier ages where massive, though graceful, forms were the norm, modern designs have realized the importance of clean lines, and functional usage, and created a perfect marriage of beauty and usefulness. Designs such as the Aarnio Hanging Bubble Chair (Eero Aarni, 1968), or the Arne Jacobsen Egg Chair (Jacobsen, 1958) have taken modern materials and the age old grace of geometry to push the boundaries of design to amazing limits. At the same time, designs like the Eames lounge chair (Charles and Ray Eames, 1956), have traveled back to the exquisite simplicity of the straight line and natural grace of angles to create some of the most collectible pieces of furniture art of the previous as well as this new century. Modern furniture design is truly created to enhance the space while serving the functional purpose perfectly. Whether it is the semi-secluded feel of the Hanging Bubble Chair, the ovoid beauty of the Egg Chair, or the amazing elegance of the Eames Lounge Chair, such designs are the epitome of the combination of function and grace of modern furniture design.
Style Meets Function In Modern Furniture Design
The hallmark of the modern age of furniture design is its combination of style, with function. While the beautiful designs and the understated grace enhance any space the pieces are placed in, their superb functionality makes sure that they are not mere “museum pieces” put up for display. The Barcelona Chair (Ludwig Miles Van Der Rohe and Lily Reich, 1929), for example is a wonderful example of simplistic beauty and functional design. Although originally created for the Ibero American Exposition of 1920, it is the perfect addition to most modern spaces, even today. Spare lines, comfort, and practical design, make such pieces an asset to own. In fact, one of the greatest advantages of modern furniture is that they serve a double purpose. Not only are they furniture, to use, they are also art, to own and display. Each of these pieces can give one the perfect joy and pride of owning a masterpiece. From the Eames Lounge Chair (Charles and Ray Eames, 1956), another example of the superb fusion of form and function that sets modern furniture design apart from any previous age; to the superb symmetry and interesting grace of the Arne Jacobsen Egg Chair, modern furniture design has truly achieved the perfect fusion of style and function.
Tags: Modern, Contemporary Furniture, Lamps, Bar Stools, Chairs, Loungers, Dining Sets, Lights and Lamps, Ottomans, Benches, Sofas, Sectionals, Tables
